Monday, January 14, 2013

Loneliness



Yesterday, I left Robert to watch football in blissful silence (i.e., without having to listen to me natter on about sports-related head injuries) and drove up to San Francisco to spend some time at the Contemporary Jewish Museum.  I love this museum a lot: it’s small and the exhibits are beautifully curated and the whole space feels sacred to me.
 
There was a wonderful photography collection by the New York Photo League.  But what really packed a wallop was the exhibit detailing the work of the artist and children’s book author and illustrator Ezra Jack Keats (THE SNOWY DAY, among others).  As someone who has never been particularly interested in picture books, I had read his books but never given them much thought.  Seeing his work as art on a wall (rather than illustrations in a book) made it come alive, though.  His aggressive use of color to give life to small moments moved me, as did his masterful use of collage.

He was a child who received almost no support for his art at home.  (His parents, emotionally distant and brutally poor, worried that art would not allow him to make a proper living.)  He was small.  He was teased and bullied mercilessly at school and in his neighborhood.  And he described himself (according to the exhibit’s notes) as lonely.

There is something about loneliness.

Most people understand that there is a difference between loneliness and being alone.  I love to be alone.  I work alone, I run alone, I gave up an afternoon of cozy football-watching with my partner to go to a museum alone.  I often choose to be alone because I can, in fact, choose

Loneliness is not a choice.  Loneliness is an unlit hole, a dreadful, black emptiness.
 
I have been lonely.  Not for long, but even in short bursts, it is terrible.  It is a feeling that no one can hear you, that you are screaming and no one notices. 

Something about Keats’s art—its bigness, its loudness, its brightness, its joy—seems to be his way of screaming, I am here!  See me!  Know me!  And because, by all accounts, he was a lovely, talented, honorable, thoroughly engaging man, it is a pleasure to do so.

But I couldn’t help thinking about all the other lonely people—most especially, children—who haven’t yet found a way to be heard.  There is a lot of screaming out there, and it is so easy and so terrible not to hear it.

I left the museum and sat outside on a bench.  It was very cold for San Francisco—I was wearing a winter coat and gloves—but sunny and clear and windless.  I watched some strutting pigeons and two older ladies having a chilly picnic.  I thought how nice it was to know that Ezra Jack Keats and his editor puzzled over whether to call his book THE SNOWY DAY or A SNOWY DAY (because I can spend hours wondering about just this kind of thing).   I thought about the art I had seen and the book I am writing and the large, shapeless crowd of twentysomethings waiting to get into St. Patrick Church.  I wondered if any of them was screaming. 
And then, happily, Tracy arrived—my dear friend Tracy who is only one of the reasons I am so very, very lucky—and we went to lunch.

On Beauty Pageants and Sports and Mothers


So let's talk about Honey Boo Boo.

The youngster in question is Alana Thompson, also known as Honey Boo Boo, star of TLC’s “Here Comes Honey Boo Boo,” a reality show that allows viewers a peek into the lives of Alana and her lovable, rough-and-tumble family.   The show is a huge hit, despite being lambasted and derided by the press, which has struggled to explain its strange appeal.  Having made a name for herself as a beauty-pageant contestant on “Toddlers & Tiaras,” Alana does not, at first blush, seem to be the kind of kid Americans usually embrace.  She’s no Suri Cruise.  So what accounts for her show’s persistent popularity?
 
Certainly little-girl beauty pageants—a $5 billion industry—have been much in the public consciousness of late.  With the movie “Little Miss Sunshine” and a slew of TV reality shows, people seem to be fascinated with the whole notion of pageants and the way in which ordinary-looking little girls are poked and prodded, primped, slathered, festooned, painted, sprayed, and spackled into odd-looking simulations of adult women, only without the breasts.  I count myself among those who, coming upon “Little Miss Perfect” one morning when I was home in bed with the flu, was unable to look away.
 
Why is that?

Part of it has to do with the transformations of the little girls, which is startling, to say the least.  People love makeovers, after all: they love the idea that something pedestrian can be transformed into something shimmering and new and barely recognizable.  Perhaps we even like to imagine what a sparkly dress, Plasticine hair, fake white teeth (called “flippers” for the pre-adolescent set who are missing their baby teeth), and makeup garishly applied might do for us.  Haven’t we all fantasized that with knowledgeable assistance and just the right accessories, we might be coaxed into an approximation of Audrey Hepburn?  (Or is that just me?)

But of course, it’s more than that.  The TV shows in particular have found a way to allow viewers (who are often mothers) to indulge in a cherished pastime: criticizing other mothers.  The mothers of little girls who compete in pageants are easy to hate.  Often, they are shown yelling at their daughters, exhorting them to smile, make eye contact with judges, twirl prettily, pay attention, stop crying, be quiet, hush up.  They promise disingenuously that if their little girls can’t behave properly, they’ll just pack up the suitcases and go home.  They critique their children’s imperfections with withering contempt.  (“She’s just so clumsy!”)  They pump them full of candy and soda and so-called “energy drinks” to insure an energetic performance onstage.
 
And then, there’s the aspect of all this that we don’t say out loud: Many of these women live in modest houses, often in small towns, often in the south.  They speak ungrammatically, with accents.  And—heaven forbid—some of them are fat. 

In short, they are just the kind of people that more affluent, educated suburbanites can feel good about hating.  Because they are different.  Because they aren’t like us.  Because we would never do what they do.

Is this true?
 
I raised my children in a Bay Area suburb where it was (and is) de rigueur for kids to begin their athletic careers at the age of four, on the soccer field.  Because I worried that my quiet, sedentary son might be left out socially if he didn’t participate, I signed him up.  I then spent the next four months watching a pack of kids swarm across a field without the slightest sense of what they were doing, let alone where the ball was.  (Half the time, I couldn’t even see Evan.  Usually, he was at the wrong end of the field, looking for bugs in the grass.)  All the while, well-heeled parents shouted encouragement from the sidelines.  Sometimes it sounded encouraging.  Sometimes it sounded like the kind of rage that would get you escorted out of a professional hockey game.

My son played soccer for almost ten years, and volleyball throughout high school and college.  During that time, I saw a lot of ugliness, as well as out-and-out emotional brutality: parents who lobbied coaches to make sure their superstar didn’t have to be on a team with a kid who was slow or uncoordinated; coaches who tried to get parents to discourage their kids from playing because “they’ll never be any good anyway”; kids who refused to sit next to a teammate who allowed a goal or screwed up a corner kick.  At a volleyball game, I heard parents (who lived in the next town) laughing about how their kids were beating ours because their town was “richer.”  During my son’s single, ill-fated Little League season, I saw an assistant coach put his arm over his son’s shoulders after the kid had pitched a near-perfect game and the other team had won anyway.  I drew closer, hoping to eavesdrop on a sweet father-son moment.  “What the hell’s the matter with you?” the father was whispering.  “What the fuck were you doing out there?”  The kid was crying.  He was nine years old.

And don’t get me started on my daughter’s experiences with gymnastics. 

It’s easy to think that allowing my kids to participate in hometown sports is nothing like allowing little girls to dress up in ball gowns and wink and blow kisses at strange men with clipboards.  After all, sports are about learning rules, fostering camaraderie, becoming team players, building healthy bodies.  They are about developing competencies, whereas beauty pageants are about being judged for what you look like, which has nothing to do with competence and everything to do with the luck of the draw.

Right?

Maybe not.  David Elkind certainly doesn’t think so.  A professor emeritus at Tufts University and author of The Hurried Child, The Power of Play, and All Grown Up and No Place to Go, Elkind believes that modern-day parenting has stressed children to the breaking point, depriving them of the childhoods necessary for appropriate development.  “The pressure to grow up fast, to achieve early in the area of sports, academics, and social interaction, is very great in middle-class America,” he writes in 1981’s groundbreaking The Hurried Child.  “There is no room today for the ‘late bloomers,’ the children who come into their own later in life rather than earlier.”
 
Consider this excerpt from sports writer John Underwood, cited by Elkind:

Sports-psychologist Bruce Ogelvie laments the sickening arrogance of Little League coaches, too many of whom are unqualified.  Some coaches, says another psychologist, Thomas Tatlio, even “think sports is war.”  They make eight-year-olds sit on the bench while others play, learning nothing beyond the elitism of win-at-all-costs sport.  Token participation—an inning in right field, a couple of minutes in the fourth quarter—can be equally demoralizing.
To visit on small heads the pressure to win… is indecent.  To dress children up like pros in costly outfits is ridiculous.  In so doing, we take away many of the qualities that competitive sports are designed to give to the growing process.

Elkind goes on to say, “Generally it is parent need, not a child’s authentic wish, that pushes children into team sports at an early age.”

And suddenly, the affluent suburban parents who laud their children’s talents on the tennis team begin to bear an eerie resemblance to Honey Boo Boo’s mother, June Shannon, who likes to “scratch her bugs” and is happy to provide her little pageant queen with the “go-go juice” she needs to show herself to best advantage.

My point is not to denigrate the hallowed, untouchable institution of sports in America.  Nor is it to instill guilt into the hearts of already beleaguered parents who adore their children and want nothing more than to do right by them.
 
My point is that our demonization of the mothers of child pageant contestants bears examination.  When we laugh at them, or say we’re nothing like them, or roll our eyes at the way they have forced their children to become miniature adults, we’re not being completely honest.  Perhaps we are using these women to avoid seeing ourselves as we really are.

There are plenty of things not to like about child beauty pageants:  the emphasis on appearance, the sexualization of little girls, the horrific insistence on "practicing" and rehearsing routines performed by children who are barely old enough to flush a toilet or button a shirt, the unbridled competitiveness, the weird way that social class factors into it all.   A small study conducted by the University of Minnesota’s Anna L. Wonderlich, Diann M. Ackard, and Judith B. Henderson found that adult women who had competed in beauty pageants as children scored higher on body dissatisfaction, interpersonal distrust, and impulse dysregulation than non-participants, and showed a trend toward greater ineffectiveness.

But let’s not kid ourselves.  June Shannon loves her little girl, just as you love yours and I love mine.  The problem is that somehow, we’ve all been coerced into believing that we must teach our very young children about competitiveness and winning.

Sports exert such a hold on the modern imagination that we have turned any number of activities into them.  Dance is no longer an art form: children are now on dance teams.  The same can be said of chess, martial arts, a cappella singing, and a host of other activities that used to be pursued for reasons other than the desire to be better at them than other people.  One might argue that little-girl pageants take this idea to its logical, if ludicrous, conclusion.   Now, you can win a trophy for being the best smiler and winker.  We have, at long last, made winning available to all.

And that, I think, is the crux of the whole thing.  The little girls who win the Ultimate Grand Supreme titles (an exercise in hyperbole if ever there was one) aren’t really very good at anything.  But pageants allow anyone with the money to spend to compete on an even playing field.  That is what twenty-first-century America teaches its citizens.  And that is what twenty-first century mothers teach their children.

Wednesday, December 5, 2012

Unfollowed and Defriended


Someone unfollowed me on Twitter today.  And because not that many people are following me there, I know who it was.

It surprised me when she began following me, to be honest.  She didn’t seem to have any connection to writing or books, and I didn’t know her personally.  She has been on the Council of Economic Advisors.  I was like, What the hell?  I assumed she had a kid who had read one of my books.

And then today, when I went on Twitter, I was down one follower.  And I figured out that she was the one.

Is it weird that this kind of depresses me?

Since having joined Facebook in 2009, I’ve been defriended by three people.  I know who two of them are.  One of them didn’t like my politics, and the other one was someone I’d known well at another time in my life.   I think she’s troubled.  Or maybe I bored her.

When you’re a writer, you get used to rejection.  It’s not a way of life, exactly, but it is definitely part of your everyday experience.  When an editor rejects one of my manuscripts, I read the note very quickly, and then I either 1) eat something, 2) swear and eat something, or 3) stand up, stretch, and let my eyes scan the bookshelves in my office, which is my way of reminding myself that I am a person who writes books, and even if I never sell another one, no one can take that away from me.  Then I go eat something.  And then I move on.

But being rejected via social media is different.  It’s a little more personal, because at one time someone wanted to follow you or be your friend.  And then you said something, and suddenly that person was like, What was I thinking?  Poof, it’s over, and you didn’t even get a chance to defend yourself or say I’m sorry.  It’s like a bad breakup with a really passive-aggressive asshole.

What did I say that upset the Economic Advisor lady?  I tweeted about how I love my boyfriend but hate watching “Ancient Aliens.”  And about how I get depressed when I know we’re having fish for dinner.   Are these clues?  Does Economic Advisor believe that Jesus was an alien?  Does she really, really love tilapia?

I will never know.

Monday, November 5, 2012

Birthdays, Book and Otherwise


Tomorrow is the day PRETTIEST DOLL goes on sale at bookstores and online.  It’s called a book birthday, which is reminding me of other, different kinds of birthdays.

My son was born on December 28.  I was in labor for at least 36 hours, after being told by a chatty sonogram technician on Christmas morning, “Boy, that kid’s got a big head.”  In those days, it was unusual to know the sex of the baby, so my husband and I were in the dark on that score.  Also in those days, they gave you Demerol.  It was fantastic.

When he was born (9 pounds, 2 ounces, 22 inches long, at 7:20 pm), I became almost instantly ecstatic in a completely new way.  It wasn’t just his birthday that day.  In an instant, I became a different person.

My daughter was born three and a half years later.  The delivery was harder, owing to egregious medical nincompoopery.  She was born on her due date—June 3, 10:20 am—and her gender was also a surprise.   I didn’t experience ecstasy right away (owing to the idiots who delivered her), but two days later, there it was again.  She was 7 pounds, 1 ounce and 21 inches long: a perfect little peanut of a girl.

I love all the books I’ve written, and I’m proud of each of them.  I hope lots of people buy PRETTIEST DOLL, and I hope it resonates with them, makes them laugh, makes them think and feel and wonder.

But when somebody says, Having your book published is like having a baby, my first thought is always, No, it isn’t.

It isn’t anything like that at all.

Monday, October 29, 2012

People Who Don't Like My Book


I love being a writer.  I love for people to read my books and think about them.  I love hearing what they have to say, even if it isn’t always complimentary.  Well, okay, honestly, I’d rather hear compliments.  But good criticism, thoughtfully articulated, is always appreciated.

What I hate, though, are opinions that are colored by bias, poorly backed up, or otherwise incoherent.  And the Barnes & Noble site has posted a couple.

First off, let me say that I’ve received bad reviews as long as I’ve been writing.  My first book (NATALIE SPITZER’S TURTLES, Albert Whitman, 1992) was reviewed by a librarian who objected to the fact that the main character’s best friend was African American.  She took this to mean that I think black people are followers, because the best friend happened to be a follower (who, it should be said, eventually came to a good decision on her own).

As it happened, the decision to make the best friend black was taken by the editors, who commissioned the illustrator.  It was a surprise to me when I received my copies in the mail. And also, since when are all African-American characters in works of fiction supposed to be leaders?  Who ordained that?

But I never said a word, in part because it’s unseemly to seem overly miffed by criticism, and also because back then, to whom was I going to complain?

Of course, that was before blogging, which, conveniently, allows me to bitch if I feel like it.

An unnamed reviewer of PRETTIEST DOLL (Clarion, November 6, 2012), whose review appears on the Barnes & Noble site under the headline “Children’s Literature” says, in part, “I seriously worry, though, about the implications that young teenagers are likely to be perfectly safe and better off if they run away from situations not even close to being as oppressive as they imagine them.

Does Worried Reviewer worry about Claudia and Jamie Kincaid running away to the Metropolitan Museum of Art in the classic FROM THE MIXED-UP FILES OF MRS. BASIL E. FRANKWEILER?  Does she think Harriet shouldn’t have snuck into other people’s dumbwaiters in HARRIET THE SPY because doing so might give readers bad ideas?

Kids read fiction for the same reason that adults do: to lose themselves in a story.  And the best way I know to allow that to happen is to write about real people: kids who do dumb things, over-controlling mothers who might be crazy but still love their daughters.  If writers aren’t ever supposed to write about children who behave poorly or recklessly or impulsively, then we’re going to end up with books that are more like comic books than literature.  Is that what we really want: a main character who always acts heroically and wisely, a bad guy whose temperament is never leavened with even a kernel of mercy or intelligence or gallantry?

Trust me, Worried Reviewer.  The fact that Liv Tatum runs away from home is not going to cause readers to up and head for the nearest bus terminal.  PRETTIEST DOLL is a book, not an instruction manual.  Kids will get that, even if you don’t.

After reading PRETTIEST DOLL, a self-identified “teen reviewer” says, “…In addition, her language seems simple compared to language in other books in the same age category, but there are profanities throughout the novel.

Does Teen Reviewer know any twelve-year-olds?  Any eight-year-olds?  Does she know what they sound like?  I have raised two kids, and they swore like stevedores from the time they were five years old.  (Actually, my daughter called her beloved brother an “idiot asshole dick” when she was two and a half.)  And that was in my presence.  God knows what they said when I wasn’t around.
 
They’re now highly functional adults who know how to behave at work and in graduate school.  They’re fine.  A few swear words in a book—I think there are no more than five in PRETTIEST DOLL—are not going to turn innocent children to a life of crime.  But a book written for young people with language that is stilted, inauthentic, and artificially purged of realism will simply never be read.
 
Suck on that, Teen Reviewer.

Wednesday, October 17, 2012

On Twitter and Publicity and Walking the Hills Without a Cane


So I finally broke down and opened a Twitter account.  Just writing this sentence makes me embarrassed.

Publicizing PRETTIEST DOLL is exhausting.  I haven’t had time to write in two weeks, what with trying (in vain) to figure out Twitter and writing to everyone who entered the book giveaway and answering a blogger’s interview questions (http://whimsicallyours.com/2012/10/13/gina-pardo/) and attempting to arrange a book tour.  Meanwhile, I’ve had a nasty cold, the roof rats are chewing on the shingles at night (blissfully unaware that the roofers are arriving tomorrow, thereby putting a definitive end to their shenanigans), my car needs servicing, and my 92-year-old mother who has dementia is ducking her caregivers and going out for unattended walks without a cane.

I’ve decided to let her do this, because it is, after all, her life.  (And also because she yells at me if I try to interfere in any way.)  It makes me very anxious; I’m always waiting for a phone call from a doctor with dire news.  My mother is unsteady on her feet and broke her pelvis in a fall last March, so she is undoubtedly at risk for grave injury.  But she loves to tell me about her walks when I call.  “I did the whole thing,” she says.  It takes her half an hour and is hilly in places, and I know she is proud of herself.

I think that in telling me she’s done it, the whole experience becomes more real to her.  She can believe with more certainty that it actually happened.

I was raised to think that tooting one’s own horn was boorish and uncouth and just a little bit unattractive.   But I’m trying to think about it in a different light.  Maybe publicity is really more than just a way to tell the world that I’ve done something that makes me proud.  Maybe it’s a way to convince myself that I really sat down and wrote a book.  An actual book.
 
Because after all these years, sometimes I still don’t quite believe it.

Wednesday, September 26, 2012

Enter To Win


I have been receiving lovely notes from lots of adults interested in children’s books—librarians, teachers, readers—who are submitting their names for a chance to win one of ten free autographed copies of my upcoming novel, PRETTIEST DOLL (which will be published by Clarion on November 6, 2012).

Publicity is an amazing thing to a writer.

When you write, you disappear inside your head, and the only people keeping you company are the characters you dream up.  It’s a big party up there, and for a while, it’s fabulous.  But then you finish the book, and the characters go away, and you go back to your real life, where you make soup and watch “The New Normal” with your boyfriend and wait for your adult children to take your calls and visit your 92-year-old mother with dementia who is still mad that you took her car away and get quotes from roofers because you have roof rats and run every day because you are addicted to running even though you think you might have runner’s knee. 

And it’s as if the book and all those characters have evaporated, are just gone.

But now I have a publicist.  And publicists know how to make sure that people know about your book and those characters.  One of the things they tell you to do is to offer to give away some free copies of your book.  A lot of people will write to you if they think they’ll get a free book out of it.  (All in all, my book has received more “hits” than 89% of the other children’s books advertised this year.  Yes, I’m bragging a little. )

That is a pretty extraordinary thing.  With all the stories about the demise of the printed (as opposed to the electronic) word and the corporatization of the publishing industry, you wouldn’t think people would still want to own an actual book.  But they do.

I’ve heard from a teacher on Long Island with the same name as my daughter who thinks my idea (about a beauty-pageant contestant) is great.  And a young college student who writes a blog and wants to be a writer herself.  And a woman who likes the look of my website.  I didn’t recognize the name of her town, so I Googled it.  She lives in Iraq.  IRAQ.  Isn’t that incredible?

It is just the most heartening thing, to see how books are still meaningful to so many people.  It makes me feel happy and hopeful about the future (a fact that will make my closest friends laugh, because I tend toward the melancholic and despairing).

It’s not too late to enter the contest.  Visit my website (www.ginawillnerpardo.com) and drop me a note.

And in your non-reading hours, check out “The New Normal.”  Ellen Barkin is going to win an Emmy.  I just about guarantee it.