Showing posts with label mothers. Show all posts
Showing posts with label mothers. Show all posts

Monday, April 29, 2013

In Advance of Mother's Day


Mothers and neediness are much on my mind these days.

Yesterday I met my adult daughter for a little lunch and a little shopping.  I bought her a blouse.  As I did so, I realized that I haven’t bought her anything for a while.  She works, pays her own bills (including payments on the student loans she incurred in college), and is extremely independent.  She doesn’t need me to buy her much of anything.

My 93-year-old mother with worsening dementia needs me desperately.  But she doesn’t like me much these days and meets any of my attempts to help her with disdain and a supreme lack of graciousness.  (Recently, I bought her a new phone, but I had to let her think my ex-husband bought it for her in order for her to accept it.)  I do what I need to do behind the scenes and without thanks of any kind.

There is a dove nesting in an old clay pot outside my laundry-room window.  She hasn’t left her perch in three days.  I think her hubby brings her food at odd hours, when I haven’t been looking.  Sometimes we stare at each other (or, at least, I assume we are staring at each other: it has occurred to me once or twice that maybe she’s dead).  I imagine that she is warming eggs beneath her, that soon there will be babies.  I tell her that she is a good and devoted mother.  Yes, I really whisper it out loud (and then hope to God I’m not talking to a dead bird).

It occurs to me that we tend to think of children needing their mothers (and fathers), and of elderly mothers (and fathers) needing care and comfort, which almost always falls to their children.  But we don’t tend to think about young (or middle-age) mothers needing their children.  Or, more specifically, needing to be needed.

But we do.  Or I do, anyway.

Last night, I was reading Alice Munro’s great story, “Gravel.”  In it, the main character, now an adult woman, says, “All the eviscerating that is done in families these days strikes me as a mistake.”  Of course, the woman who is saying this did something terrible as a small child: she depends on being able to smooth over misery in order to live with herself.

I don’t know how to do that.  (And neither, thank God, does Alice Munro.)

I was going to write something flip about being a bird, how you just lay the eggs and shove worms down your babies’ gullets and then die when they fly away.  But I see from Wikipedia that doves feed their babies—called squabs—dove milk, and that they may raise up to six broods in a season.

That’s a lot of being needed.
 
And a lot of eviscerating, if you’re a disgruntled squab who’s into that sort of thing.

Sunday, October 9, 2011

Casting Off




Last Friday, I got my cast off.  Also, my mother told me she didn’t want anything more to do with me.

My mother has had some sort of mild dementia for quite some time, but it’s apparently getting worse.  Her anger at me stems from my having made a request to the DMV to give her a driving test.  An actual driving test, in a car, not a written test.  You would think that the state of California would assess the driving skills of 91-year-olds routinely, but it doesn’t.  You have to ask.

I got my cast off a few hours before my mother told me she didn’t want anything more to do with me.  In the car on the way home from the “fracture clinic,” I thought about other things I had cast off recently:

--glasses;

--anything made with wheat;

--curly hair;

--gray hair;

--suburbia;

--people who blame me for their own unhappiness;

--jobs in which I have to wear suits and have a boss;

--friends who aren’t really friends;

--the conviction that I would always have a dog;

--as many delusions about myself as thirteen years of therapy will allow;

--tax returns from 1997;

--aluminum pans.


I’ve talked to my mother almost every night since she first yelled at me.  She has hung up on me twice and been rude and nasty.  Every once in a while, she has called me ‘dear’, as she used to.  She sounds scared and confused.  She is steadfastly unwilling to accept any kind of assistance with grace.

I don’t know if my mother is going to continue to take her fear and frustration out on me.
But I am going to call her every night.

Sunday, April 17, 2011

Old Age


My 91-year-old mother has some sort of dementia.  Not Alzheimer’s, probably.  She gropes for words, can’t remember what she did three hours ago, insists that I grew up speaking Hungarian, as she did.  She calls my partner “Richard.” 

I am sad a lot now.

The weird thing is that my father died when I was 19, and I would give a lot if he could have lived into old age.  I miss him every day. 

But I miss her, too. 

I call her every night.  Usually, we talk about three things: the weather, politics (“Do you watch Rachel Maddow?  She’s such a doll.”), and whether she went for her walk.  Recently, her foot has been bothering her.  The half-hour walks have become 15-minute walks.  I think it’s an omen.

My mother has become less hard-edged in old age.  She oozes love. She hugs receptionists.  Once a woman who complained about everything her friends did (“She walks too slowly!”), she now has mostly nice things to say about people, assuming she approves of their politics.  It’s a nice change.  And lucky.  Dementia can make you nasty.

Last night, at dinner, she told the waiter at the Lark Creek CafĂ© how old she was.  I almost fainted into my steamed asparagus.  One of the hallmarks of my mother’s life has been her easy ability to lie about her age.  I didn’t know how old she was until I was 20.  Even then, she told me that she was 57, and told my brother that she was 56.  Lying was something she did even when there was no benefit to be gained.

As soft and mushy as she has become, my mother is still infuriatingly stubborn.  She lives alone and insists on driving.  (A few months ago, I stole her car keys.  My brother had new ones made.)  She has control of a lot of money, and she Will Not Let Go.  I have begun the process of taking that control away.  She wants to argue about it with me all the time.

It breaks my heart.

At dinner last night, I needed a tissue, and she rummaged in her purse to find one.  She pulled out a paper napkin wrapped around a brownie.  “I forgot about this,” she said.  “How long has that brownie been in there?” I asked.  “Oh, I don’t know,” she said.  “I got it at the JCC.  They serve lunch for six dollars.  The meatloaf is fantastic!”  Then she leaned in close and whispered, “But everyone who eats there is so old!”

Wednesday, December 9, 2009

Little Miss Perfect

Yesterday, while working out, I found myself watching a TV show called “Little Miss Perfect.” It is a reality show, each episode of which features a look at the lives of two contestants in a little-girl beauty pageant. It was riveting in an I-can’t-believe-I-live-on-the-same-planet-with-these-people kind of way.


The pageant is held in different cities throughout the south and seems to attract participants whose families live in little southern towns. It is overseen (and hosted) by a man named Michael Galanes who judges the competition and sings a dreadful song to the five finalists while gazing deeply into their eyes. (“Little Miss Perfect Pageant, where all your dreams come true/ the Little Miss Perfect Pageant, where the special one is you! / The secret of tomorrow is to live your dream today,/ your memories and your friendships will always feel this way!/ There are perfect colored rainbows on the other side,/ hop on your magic carpet and take a wild ride!/ If you think it, want it, dream it, today’s the start,/ just feel it in your heart.”) Michael and his fellow judges are shown discussing each contestant’s relative merits in three categories (“Beauty,”
“Interview,” and something called “Wow Wear,” which, as far as I can tell, is when the little girl gets dressed up in a costume and exhibits talent, usually dancing, but sometimes, if the kid is under six, waving and winking.) Michael’s critiques can be ruthless, but he has evidently found his milieu. (His bio begins, “Once upon a time, there was a little boy born and raised in the mountains of Vermont, but he knew his calling was the sparkly stage, somewhere, somehow….”)

The girls themselves look normal enough in their everyday lives. Most of them talk about how much they like getting dressed up, wearing makeup, winning big trophies, and being the center of attention. They complain about practicing and cry when they are being readied for competition. Their incarnations as beauty contestants are startling: big, teased hair, heavy makeup, sprayed-on tans, body-hugging costumes. You just can’t look away.

The real stars of the series, though, are the mothers. They are almost always fat. Some of them are ex-child-beauty-queens themselves. They oversee their daughters’ careers with military precision, arranging for coaches, driving to dance lessons, assessing smiles and twirls and coquettish over-the-shoulder glances with dispassionate calm (“Amber just isn’t graceful at all!”) They are supremely unembarrassed about what they are doing. They talk about the (not inconsiderable) amounts of money they spend on this lifestyle as though it is proof of what good mothers they are.

It is easy to be snide here, to laugh at people who look as though they live in houses with broken-down cars on the lawn, to take perverse pleasure in seeing seven-year-olds coiffed like country-music stars break down in tears when someone else wins the trophy. But I couldn’t help but be struck by the fact that these families aren’t really so different from families I have known. In my neck of the woods, people don’t enter their daughters in beauty pageants. They drive them to theater auditions and soccer meets and chess club championships. They are still defining themselves by their children’s accomplishments. It really isn’t all that different.

Another thought: Ultimately, this show is about what lots of people in this country still value in women. It’s massively discouraging to think that when all is said and done, the “perfect” girl is the one with the best makeup, the most complicated hairstyle, the cutest hip swivel. Really? Is that really what we’re still about?